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Ubik Fashion

Philip K Dick's 1969 masterpiece Ubik is filled with references to strange fashion. The clothes that the trendy set will be wearing in the distant future of 1992. Here are some of the best descriptions:

...

"This is Pat," G. G. Ashwood said, his arm, with ostentatious familiarity, around the girl's waist. "Never mind her last name." Square and puffy, like an overweight brick, wearing his usual mohair poncho, apricot-colored felt hat, argyle ski socks and carpet slippers, he advanced toward Joe Chip, self-satisfaction smirking from every molecule in his body: He had found something of value here, and he meant to make the most of it. "Pat, this is the company's highly skilled, first-line electrical-type tester."

...

"Is it not the assumption, however," Tamish said, "that the missing PSIs are at work, as a group, for one of the larger investment houses? Seeing as how this is probably so, perhaps we should stress one of our business-establishment commercials. Do you perhaps recall this one, Mr. Runciter? It shows a husband home from his job at the end of the day; he still has on his electric-yellow cummerbund, petal skirt, knee-hugging hose and military-style visored cap. He seats himself wearily on the living-room couch, starts to take off one of his gauntlets, then hunches over, frowns and says, 'Gosh, Jill, I wish I knew what's been wrong with me lately. Sometimes, with greater frequency almost every day, the least little remark at the office makes me think that, well, somebody's reading my mind!' Then she says, 'If you're worried about that, why don't we contact our nearest prudence organization? They'll lease us an inertial at prices easy on our budget, and then you'll feel like your old self again!' Then this great smile appears on his face and he says, 'Why, this nagging feeling is already-'"

...

"You know what Ray Hollis says about us?" Runciter said. "He says we're trying to turn the clock back." He eyed the individuals who had begun to fill up his office; they gathered near one another, none of them speaking. They waited for him. What an ill-assorted bunch, he thought pessimistically. A young stringbean of a girl with glasses and straight lemon-yellow hair, wearing a cowboy hat, black lace mantilla and Bermuda shorts; that would be Edie Dorn. A good-looking, older, dark woman with tricky, deranged eyes who wore a silk sari and nylon obi and bobby socks; Francy something, a part-time schizophrenic who imagined that sentient beings from Betelgeuse occasionally landed on the roof of her conapt building. A woolly-haired adolescent boy wrapped in a superior and cynical cloud of pride, this one, in a floral mumu and Spandex bloomers, Runciter had never encountered before. And so it went: five females and - he counted - five males. Someone was missing.

...

Joe Chip realized, she's been doing something. "Pat," he said aloud, "I can't put my finger on it but things are different." He gazed wonderingly around the office; it appeared as it had always: too loud a carpet, too many unrelated art objects, on the walls original pictures of no artistic merit whatever. Glen Runciter had not changed; shaggy and gray, his face wrinkled broodingly, he returned Joe's stare - he too seemed perplexed. Over by the window G. G. Ashwood, wearing his customary natty birch-bark pantaloons, hemp-rope belt, peekaboo see-through top and train-engineer's tall hat, shrugged indifferently. He, obviously, saw nothing wrong.

...

A bald-headed man, wagging a goatish beard, pointed to himself. He wore old-fashioned, hip-hugging gold lame trousers, yet somehow created a stylish effect. Perhaps the egg-sized buttons of his kelp-green mitty blouse helped; in any case he exuded a grand dignity, a loftiness surpassing the average. Joe felt impressed.

...

"Right here, sir," a confident baritone like that of a Siamese cat declared; it arose from within a slender, earnest-looking individual who sat bolt-upright in his chair, his hands on his knees. He wore a polyester dirndl, his long hair in a snood, cowboy chaps with simulated silver stars. And sandals.

...

Potbellied, squat and thick-legged, Stanton Mick perambulated toward them. He wore fuchsia pedal-pushers, pink yakfur slippers, a snakeskin sleeveless blouse, and a ribbon in his waist-length dyed white hair. His nose, Joe thought; it looks like the rubber bulb of a New Delhi taxi horn, soft and squeezable. And loud. The loudest nose, he thought, that I have ever seen.

...

Joe said, "Did he have on green felt knickers, gray golf socks, badger-hide open-midriff blouse and imitation patent-leather pumps?"

...

Digging into the pockets of his tweed toga, the moratorium owner fished out a handful of coins; his airplane-propeller beanie whirred irritably as he handed three of the coins to Joe.