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...
"This is Pat," G. G. Ashwood said, his arm, with ostentatious
familiarity, around the girl's waist. "Never mind her last name."
Square and puffy, like an overweight brick, wearing his usual mohair
poncho, apricot-colored felt hat, argyle ski socks and carpet slippers,
he advanced toward Joe Chip, self-satisfaction smirking from every
molecule in his body: He had found something of value here, and he
meant to make the most of it. "Pat, this is the company's highly
skilled, first-line electrical-type tester."
...
"Is it not the assumption, however," Tamish said, "that the missing
PSIs are at work, as a group, for one of the larger investment houses?
Seeing as how this is probably so, perhaps we should stress one of our
business-establishment commercials. Do you perhaps recall this one, Mr.
Runciter? It shows a husband home from his job at the end of the day;
he still has on his electric-yellow cummerbund, petal skirt,
knee-hugging hose and military-style visored cap. He seats himself
wearily on the living-room couch, starts to take off one of his
gauntlets, then hunches over, frowns and says, 'Gosh, Jill, I wish I
knew what's been wrong with me lately. Sometimes, with greater
frequency almost every day, the least little remark at the office makes
me think that, well, somebody's reading my mind!' Then she says, 'If
you're worried about that, why don't we contact our nearest prudence
organization? They'll lease us an inertial at prices easy on our
budget, and then you'll feel like your old self again!' Then this great
smile appears on his face and he says, 'Why, this nagging feeling is
already-'"
...
"You know what Ray Hollis says about us?" Runciter said. "He says we're
trying to turn the clock back." He eyed the individuals who had begun
to fill up his office; they gathered near one another, none of them
speaking. They waited for him. What an ill-assorted bunch, he thought
pessimistically. A young stringbean of a girl with glasses and straight
lemon-yellow hair, wearing a cowboy hat, black lace mantilla and
Bermuda shorts; that would be Edie Dorn. A good-looking, older, dark
woman with tricky, deranged eyes who wore a silk sari and nylon obi and
bobby socks; Francy something, a part-time schizophrenic who imagined
that sentient beings from Betelgeuse occasionally landed on the roof of
her conapt building. A woolly-haired adolescent boy wrapped in a
superior and cynical cloud of pride, this one, in a floral mumu and
Spandex bloomers, Runciter had never encountered before. And so it
went: five females and - he counted - five males. Someone was missing.
...
Joe Chip realized, she's been doing something. "Pat," he said aloud, "I
can't put my finger on it but things are different." He gazed
wonderingly around the office; it appeared as it had always: too loud a
carpet, too many unrelated art objects, on the walls original pictures
of no artistic merit whatever. Glen Runciter had not changed; shaggy
and gray, his face wrinkled broodingly, he returned Joe's stare - he
too seemed perplexed. Over by the window G. G. Ashwood, wearing his
customary natty birch-bark pantaloons, hemp-rope belt, peekaboo
see-through top and train-engineer's tall hat, shrugged indifferently.
He, obviously, saw nothing wrong.
...
A bald-headed man, wagging a goatish beard, pointed to himself. He wore
old-fashioned, hip-hugging gold lame trousers, yet somehow created a
stylish effect. Perhaps the egg-sized buttons of his kelp-green mitty
blouse helped; in any case he exuded a grand dignity, a loftiness
surpassing the average. Joe felt impressed.
...
"Right here, sir," a confident baritone like that of a Siamese cat
declared; it arose from within a slender, earnest-looking individual
who sat bolt-upright in his chair, his hands on his knees. He wore a
polyester dirndl, his long hair in a snood, cowboy chaps with simulated
silver stars. And sandals.
...
Potbellied, squat and thick-legged, Stanton Mick perambulated toward
them. He wore fuchsia pedal-pushers, pink yakfur slippers, a snakeskin
sleeveless blouse, and a ribbon in his waist-length dyed white hair.
His nose, Joe thought; it looks like the rubber bulb of a New Delhi
taxi horn, soft and squeezable. And loud. The loudest nose, he thought,
that I have ever seen.
...
Joe said, "Did he have on green felt knickers, gray golf socks,
badger-hide open-midriff blouse and imitation patent-leather pumps?"
...
Digging into the pockets of his tweed toga, the moratorium owner fished
out a handful of coins; his airplane-propeller beanie whirred irritably
as he handed three of the coins to Joe.
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