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Tetsuo - the classic insane underground film, against
which all others must be compared. The first few times through, it's
like a PKD novel: a white-knuckle ride just trying to keep track of
the basic plot. A few more viewings and you realize it's an art film
filled with references to Brakhage and the German Expressionists. (And
on a more personal note: the film that made me want to make films
myself, and still one of my top influences.)
Previously
Pinocchio 964 - Tetsuo spawned lots of imitators, but
more directly, there have been two filmmakers who worked on Tetsuo in
some capacity before going off and directing on their own. This is the
first such spawn - thematically almost a remake, but so drastically
different in every detail & aesthetic, that it easily stands on its
own. (Also drags in some major influences from Polish director Zulawski,
which happily led me to my favorite movie of all time: On The Silver
Globe.)
Previously
Id - the other filmmaker to be spawned by the chaos of
Tetsuo, Kei Fujiwara did costume design, camera work, and acted as the
salaryman's girlfriend in Tetsuo before going off on her own. Her first
movie was pretty crazy, but not quite to my taste. Her second film though,
was an absolute masterpiece of unreasonable filmmaking. Manically surreal,
no other film fuses absurdism with violence and pain to such a degree.
Fujiwara also acts, and her character is covered in blood, crawling
around on all fours and barking at the other characters by the end. I like
to think that she directed while in character. It's hard to imagine how
this film could come to be otherwise. The most idealistically & stubbornly
underground Japanese director of the past few decades, Fujiwara has returned
to her pre-Tetsuo roots of the theatre. I can't even imagine what the
live version of this stuff would be like.
Visitor To A Museum - this is a stunning movie, not just
for the crazyness of the plot, but for the influences it mixes, and its
context within world cinema. Lopushansky was Tarkovsky's protege (he
worked as a production assistant on Stalker), and everything he's done
since bears that mark. But Visitor also mixes in healthy doses of...
Jodorowsky. Specifically, El Topo. He used hundreds of patients
from a mental hospital to shoot this post-apocalyptic surrealistically
religious epic.
Previously
El Topo - the old unassailable classic of the genre,
and it does indeed deserve its reputation. Enough said. (Also: if you
like Jodorowsky, his cameraman Rafael Corkidi also directed a bunch of
amazing surrealist films.)
Spirits of The Air, Gremlins of the Clouds - also my
pick for the most underrated film in underground cinema. This
should have a huge cult following, but doesn't. Imagine an artsy Road Warrior,
minus the cars and violence. Or a subtle Six String Samurai that isn't
trying to be funny. And gorgeous, on top of everything else. My favorite
Australian film.
Previously
Car Cemetery - I still haven't gotten around to
going through Fernando Arrabal's filmography, so it's odd that I stumbled
across one of his most obscure productions and fell in love with it.
Crazy post-apocalyptic theatric retelling of the old Christ thing. Imagine
a group of survivors in a real post-apocalyptic world, staging a production
of Godspell without realizing it was based on an actual religion.
Previously
Cafe Flesh - the pinnacle of post-nuclear-holocaust
pornography. Nothing else in the genre comes close.
Forbidden Zone - a masterpiece of new-wave dada.
Jubilee - England's greatest punk film. (And I mean
that in terms of directing style and overall vision, not just in
superficial plot elements, as in Repo Man.)
Previously
Burst City - and Japan's greatest punk film, which
inadvertently led to Japanese Cyberpunk by way of Death Powder...
"This is not an explosive movie; it's a movie explosion."
Wax: The Discovery of Television Among The Bees - one
of the very few movies that I consider to be a genuine work of "outsider
art". Mesopotamian Bees indeed.
Stereo - Cronenberg's surreal masterpiece before he went
mainstream with Shivers. (Yeah, alright, Videodrome was brilliant too.
La la la.)
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